I have a background in improvised and contemporary music performance and construction, as well as music for dance and theatre. I have performed contemporary compositions for Bass Clarinet, with or without tape, I have made music for theatre and dance etc.

At the moment i mostly study and use extended playing techniques and freeform improvisation on the bass clarinet, departing from the tone richness and complexity of the instrument into a deeper understanding of music, the instrument, and what it means for me. with digital electronic setups and environments I further or deeper research and experience of linear, non linear and simultaneous forms of expression within the realms of electronic and acoustic sound and and expanding my possibilities .

I have a background in improvised and contemporary music performance and construction, as well as music for dance and theatre. I have performed contemporary compositions for Bass Clarinet, with or without tape, I have made music for theatre and dance etc.

At the moment i mostly study and use extended playing techniques and freeform improvisation on the bass clarinet, departing from the tone richness and complexity of the instrument into a deeper understanding of music, the instrument, and what it means for me. with digital electronic setups and environments I further or deeper research and experience of linear, non linear and simultaneous forms of expression within the realms of electronic and acoustic sound and and expanding my possibilities .

max im loop, the ad libs in ppooll / /

a youtube channel where basscklarinett and electronic processes are central

in the past 10 years or so I worked with software that enabled me to go into the grains of the bass cklarinet sound or rather my bass cklarinet sound, together with samples and loops and triggers, but also software that harmonised and even melodised the input. I let it happen. It’s the environments I construct and I invite and develop, the infinite machines, the ambient machines and the self machine. and the basscklarinett machine. united with them. united with them. united with them
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I record and sample my bassclarinet in many ways to make a basscklarinett-machine to jam with and I love to control it with midi and construct self generating structures that I can sit and watch. Also I like to take my sound to other levels of abstraction and beauty. Zum Beispiel to enlarge the already violent & grotesk slaptongue and ripping multiphonics and start playing from there.

In nomansland no one knows what they are doing or even supposed to do. I throw in stuff and stuff comes back at me.